Maria asks: I am in the process of submitting my manuscript to publishing houses. One of the publishers I noticed accepts only agented authors; however, it states: we will accept a 20-50 page sample and a SASE to our slushpile. What is a slushpile, is it a good idea to send it to a slushpile and if I decided to send it to their slushpile, how do I address the query letter and envelope? Thank you.

Answered by Julie Miller
author of Armed and Devastating
on 7/9/2008

Maria--the slushpile is literally a pile of unsolicited submissions that a publisher keeps in their offices. 'Unsolicited' means they didn't come from an agent, and they didn't ask to see the partial or complete ms. Generally, then, when a busy editor gets time--or an edict comes down from a superior that they need to reduce the pile--then they'll grab something from the pile and read through the submission. So it's a cold read. If your story doesn't capture them right away, it'll probably go straight to rejection. Some gems have been discovered that way because the writing and/or story did really catch an editor's attention, but it's not common. It can take a while for any editor to get to your ms or query/synopsis or partial to look at because it's not a priority for them. But, as I said, a few authors have been discovered out of the blue that way. I would still address your submission to a particular editor whom you want to target. Depending on the size of the publishing house staff, that editor may or may not be the one who actually winds up reading it--often an assistant or editor in training will read it first. Good luck!

Answered by Carrie Weaver
author of BABY, I'M YOURS, Harlequin Superromance, 03/08
on 7/9/2008

Maria, pat yourself on the back for completing a manuscript and making the decision to submit it to a publisher! So many people don't get to that point. The dreaded slush pile is the towering stack where unagented manuscripts that have not been specifically requested by the editor go. It can actually be an opportunity waiting to happen. As a matter of fact, my first Harlequin Superromance was plucked from the slush pile. Usually the publisher will name the acquiring editor in their submission guidelines. Be sure to spell his/her name correctly (editors tend to hate having their names mispelled)and send it off. Then be prepared to wait, because the slush pile generally takes a long time (it was 2 years from start to finish for my Superromance to be purchased). Best of luck with your submission! Carrie Weaver

Ryan Johnson asks: I'm currently working on my first novel, and I'm pretty much guessing at the "procedure" of writing. One of the things I've done is send out chapters to some selected readers to get an idea for how my story sounds to someone else. I've intentionally selected people that I know will give me a lot of good perspectives, but now I'm feeling overwhelmed by the feedback. Do you have any advice as to how I should treat this feedback while I'm still struggling to get through the first draft? My first inclination is to charge ahead and finish it. On the other hand, I've got some excellent suggestions that I hope to eventually use. Does it make sense to charge ahead if I'm going to change something that might affect the rest of the story? Should I just not let anyone read it until the first draft is done?

Answered by JoAnn Ross
author of FREEFALL, a NYT bestselling High Risk romantic suspense
on 7/7/2008

Hi Ryan -- First of all, yay for you and what fun to be at that exciting, once in a lifetime point where you're working on a first novel!! Everyone's process is so different, and I have writer friends who swear by their critique groups, but I've written 100+ novels without letting anyone except my husband read it in progress.

Even my editor and agent have to wait until each book is entirely done and final edited and I wrote about 35 books without contracts before publishers finally gave up and gave me contracts without knowing what I was going to write because for me, every time I discuss my story, it loses more of its magical power, so I just don't want to risk that.

Also, you can get so many conflicting opinions, it seems it would get very difficult to have all those contrary ideas in your mind while writing.

However, that's just me. As I said, everyone's process is so individual, you'll just have to go by trial and error and find out what works for you. (Which could easily change down the road.) One thing I will suggest is that you stick with this book and not get lured away by the siren call of some other new, shiny idea when the going gets rough and even your name on the top of the page looks bad. (As happens to all of us sometime during a book.) I've seen that happen too many times with new writers who never actually finish a novel because of being so scattered.

Good luck!

Answered by Shirl Henke
author of RIVER NYMPH
on 7/7/2008

My knee-jerk reaction, based on what I did back in the Dark Ages when I wrote my first novel, would be to charge ahead and finish that sucker. I'll temper that by adding that I wrote in longhand then (told you it was a long time ago) and my best friend typed for me. She'd offer marginal comments about weak/strong points of the story on the typed pages. I did find some helpful ideas that way, but nothing that materially changed the basic outline of the plot or who the characters were. The key thing, it seems to me, with all writers on their first novel, is to get a ms completed. Then you can ask for critique and work on polishing it. But first, make certain you want to keep "seat of pants in seat of chair" until a book is finished, even in rough form. Good luck!

Answered by B.J. Daniels
author of Montana Royalty (September)
on 7/7/2008

Ryan, I know what you're going through. I like to send out my first chapter to see if I'm on the right track, but truthfully, it's probably a bad idea. The story is still so fresh, I'm not comfortable with it so some feedback can just confuse me or make me have doubts about my story. Some critiquers also want to change your story to make it more like they would write it. So my advice is: If you feel strongly about your story and the way you're telling the story, then stick to your guns and finish the book. But if you realize that what you were writing doesn't work (all the comments you received said this)then there is no point in going forward until you regroup. One of the toughest things for a writer is having that confidence to decide what you want to do with your story. Unfortunately, even well-meaning friends can kill your story by being too critical at the beginning. You don't even know your characters very well at that point and the story is going to change as you write it so too much advice can definitely mess you up. That's the danger. Once you start having misgivings, it's hard to write. I hope this helps.

Answered by Charlotte Hughes
author of WHAT LOOKS LIKE CRAZY
on 7/7/2008

Hi, Ryan: I'm not sure what you mean about guessing at the procedure of writing. If you haven't already done this, the first step is deciding what type of book you want to write and studying them closely. Also, I would highly recommend you join a critique group where you will get honest and helpful feedback. Romance Writers of America (RWA) would be your best choice, and my guess is they have a chapter near you or at least an outreach chapter. You can get information about becoming a member by calling 832-717-5200, ext. 121. The cost of joining is $75 per year, and you'll receive the Romance Writers Report once a month. You will find a wealth of information there. I have critiqued partial manuscripts for various conferences, and they weren't near the quality of those I've judged for RWA. Most writers have, at one time or another, belonged to a critique group. You will meet people who share your goals, and they will give you direction. My best of luck to you! Charlotte

Answered by Vicki Lewis Thompson
author of Wild & Hexy
on 7/7/2008

Hi, Ryan! Now that you have this feedback, I'm guessing you won't be able to totally put it out of your mind and charge to the finish. I couldn't. I'd suggest sifting through the reponses and see if any of them are similar. That might be something to look at as you go forward, or make notes to change when you go back to revise. Also, if you trust your instincts, what someone says will either resonate with you or it won't. If it does, you might want to take that suggestion. If it doesn't, no matter how much you respect that person's opinion, then I wouldn't take that suggestion. Remember this is your story, told the way you want to tell it, but sometimes a reader will see something you missed that would greatly enhance the manuscript.

Answered by Julie Miller
author of Armed and Devastating
on 7/7/2008

Ryan--if it were me, I'd say write the complete first draft before you start showing it to so many readers. That way, you ensure that it's YOUR story you're telling, in YOUR voice. Sometimes--especially for a first ms, I would think--your vision of your story can get pretty jumbled up inside your head when you're getting so much input. Your unique voice (style of writing) can go astray when you start adjusting things to please so many others. Plus, it gives you a major feeling of satisfaction and accomplishment (and bragging rights!) to actually complete that manuscript. And no publisher is going to look at a first time author without a completed ms. When it's done, then let your critiquers read it and give their feedback. You'll have a better sense of what suggestions will improve your story, and which ones will change it into someone else's story. Later, once you're more sure of the stories you want to tell, it can be helpful to have those critiques as you go along. Every writer's process is different. The more you write, the more you'll discover what works for you. Good luck!

Answered by Vicki Hinze
author of Common Sense Guide for Writers
on 7/8/2008

If you hadn't already enlisted others to read, my opinion would be to not do so until you're done. Since you have and feel some of the suggestions are ones you wish to incorporate, I'd do that now, before moving on. Do look at the suggestions with an eye to the whole of your novel and the story you want to tell. Do use what you feel makes that story better, stronger, more clear. Ditch the rest. Then move forward and finish. The reason I don't recommend previews like this is typically authors go to other authors to read, and every author sees the germ of the story and then naturally bends toward the way they would tell it. Since every author has an author theme, and those themes can vary significantly, it's easy for an author--any author--to grasp potential seen and go in directions that are outside his/her own author theme. Those are the hardest books to write, they fight you tooth and nail because they aren't natural to the author, and rarely is the author satisfied with the final product for that same reason. When you talk a lot about a project, in great detail, before it's written, you dull that initial burst of enthusiasm that typically translates onto the page. So it's a good idea to save it for the book. :) I'm not saying not to brainstorm.. I'm saying to focus on broad stroke brainstorming. In this case, review the recommendations, and incorporate those that feel right for it, then press on. And remember, only you, the author, have the whole of your vision for this book. Only you know the purpose for which you began writing it. So judge every change and recommendation asking yourself if that change is in harmony with your vision. Blessings, Vicki Hinze www.vickihnze.com

Richard Plaine asks: Hi, Im am currently 10 chapters in to my first fantasy book, and thought about looking into getting it published. When i started to check things on line like how long it should be. I started to see more and more sights explaining how to present your novel, and how not to. My book is currently written in times new roman, has 32 lines to a page is justified and everything else these guidelines say it shouldnt be. Would you recomend changing it to how these sites suggest or just carry on and worry about that when the book is finished?

Answered by Carrie Weaver
author of BABY, I'M YOURS
on 7/1/2008

That's great that you have ten chapters under your belt! You'll definitely want to reformat to be consistent with the publisher's guidelines before you submit the manuscript. Whether you do it now or when the manuscript is complete is up to you. Just keep in mind that formatting can greatly impact word count if you're not going by computer word count. In other words, if you're using Times New Roman and the publisher wants Courier, you may end up running long. I did something similar with my first published novel and had to cut almost ten percent. It was painful! Best of luck with your writing! Carrie Weaver

Answered by Barbara Bretton
author of Casting Spells (11/08)
on 7/1/2008

Richard, I have only one piece of advice for you: FINISH THE BOOK! Don't worry about fonts or line counts or justification or anything else. Just worry about telling the story. Capture all the emotion and drama and everything else any way you can grab it: pencil, crayon, typewriter, or computer. Right now the presentation doesn't matter. The only important thing is finishing the book. Once you type those magic words ("The End") then you can take another look at the guidelines and make changes accordingly. But right now the one thing you should do is FINISH THE BOOK!

Dottie L. asks: I'm working on my first novel that I have hopes of being published. I've familiarized myself with the proper manuscript forms and everything like that. I feel like I am on my way to being as prepared as I can be for this. The main thing that troubles me is being taken seriously. I'm young, but writing is my passion and I work hard at it. I don't want to be taken advantage of. Is there any advice that I can get from you to show agents and editors that I mean business and that my age doesn't matter? Thanks.

Answered by Pam McCutcheon
author of Writing the Fiction Synopsis
on 7/1/2008

Dottie, your post is articulate and there is nothing to indicate what your age is. If you don't tell them how old you are, they won't know. What's important is your writing. If they fall in love with that, your age is irrelevant. And, depending on what genre you write in, your age might actually work for you.

Answered by Tina Gallagher
author of Romance By The Book
on 7/1/2008

My best advice would be to know your stuff and be professional. Learn as much about the business so you don't make "newbie" mistakes when submitting (which is easy to do regardless of your age). And remember, when reading your material, agents/editors won't know your age so it shouldn't be a factor.

Answered by Julie Miller
author of Armed and Devastating
on 7/1/2008

Dottie--the question of age never really comes up in regards to publishing. Nowhere is it required in your submissions to say how old you are, and since they're done via snail mail or email, editors and agents won't see you. Seriously, it's about the quality of the writing. If you've written a great story in a unique voice and there aren't a lot of mechanical/grammar problems, the right editor (meaning she has a slot for your work and publishes the kind of story you've written) will want to buy it. Look at the young man who wrote Eragon and the subsequent books. Sure, he had an in to the publishing business, but if they weren't good books, they wouldn't have sold. His young age is even a promotional tool for him. Good luck with your story!

Answered by Phoebe Conn
author of DAWN OF DESIRE May 2008
on 7/1/2008

Dear Dottie, First, you need to learn everything you can about writing. That means studying writing as a profession because it deserves careful preparation. Take classes, read everything you can find on writing, and attend every author signing in your area to learn how other authors work. Join groups like RWA which provide excellent information and workshops. Then the quality of your book will be what draws editors and agents. Your age will not matter to them if the book you've shown them has the potential to be a bestseller. Your belief in yourself will carry you through the rejections that every author receives. Good luck with your writing. Phoebe Conn

David asks: How do you get copyright permission or do you need permission if your using part of another book as a backstory or timeline for your book in a historical novel.

Gayl W. Lee asks: For Romance Novels (Christian Romance) the rule used to be exactly 25 lines per page and approximately 250 word coun per page. That has now changed, I read to...let the computer do the counting. How do we figure word counts? Also, I can only get 24 lines per page with a Header. Is that okay?

Answered by Carolyne Aarsen
author of Finally a Family- June Love Inspired
on 6/21/2008

I can answer for the Love Inspired line - for the straight LI line and the LI suspense you are looking at about 57 - 60,000 computer word count. For the Historical line, about 60 - 65,000.As for how you format your pages, the main thing to remember is make sure you have on inch margins all around and use an easy to read font. Courier at 12 point seems to be the best for that. Then, just write the best book you can!

Answered by Myrna Mackenzie
author of The Heir's Convenient Wife - Harlequin Romance
on 6/22/2008

More and more publishers are using computer word count these days, and whatever word processing program you have will keep track of that for you. I still tend to use the 25 lines by 250 words per page for my own use (in addition to computer word count), simply because it gives me an "at a glance" educated guess as to where I am in the book. I'm not sure how editors feel about not having 25 lines exactly, never having asked any of my editors, but it's my personal preference (and if you're using Microsoft Word, you can get 25 lines by going into your paragraph format section and indicating Multiple spacing at 1.9. Don't forget to turn off the widows and orphans feature).

Vickie M. asks: When Writng my fiction novel, Is it OK to use fictional town locations along with real town locations?

Karla asks: I'm on my fourth re-write of a book I've never managed to finish and I'm beyond frustrated and close to giving up. Any advice on how to push through and keep going when the final result seems light years away? I haven't looked at the story in weeks because every time I do it reminds me of how much I HAVEN'T worked on it.

Answered by Jacqueline Diamond
author of Baby in Waiting, August 2008, Harlequin American Romance
on 6/9/2008

Karla, I think this manuscript is sending you a message.

I get the impression that this is your first book. You've been working and reworking it, and no doubt your skills have improved with each revision. But perhaps the premise and characters no longer excite you.

Many books about writing advise aspiring novelists to finish the darn book. The truth is, however, that if your psyche has put the brakes on, maybe it's because you no longer feel passionate about this particular story.

That doesn't mean you've wasted your time, or that the story may not be salvageable. It means you need to set it aside and start something else that fills you with joy. When you read these words, do you feel relieved? In that case, my hunch is correct.

Just for reference, I've sold 81 novels and written countless others, including partials -- and I haven't felt obligated to finish every (unsold) book. Sometimes a book simply isn't working. In that case, it's beyond frustrating to keep thumping away at it. Sometimes, it never works. Other times, after a distance of months or years, I come back and rediscover the nugget of gold at the heart of all that effort, and turn it into a winner.

I hope this will happen to you, but at the moment, I suggest moving on.

Best of luck!

Answered by Myrna Mackenzie
author of The Heir's Convenient Wife - May Harlequin Romance
on 6/9/2008

Thinking in terms of the whole book is what makes writing so daunting, so I try not to go there (or at least to go there as infrequently as possible) when I'm actually writing my pages for the day. This is psychological warfare, so if thinking of how much you have left to do altogether is too daunting, think only in terms of what you have to do today or this hour or even during the next ten minutes. When I get to especially difficult parts of the book, I've even been known to make promises to myself (write two pages and you can get up and take a ten-minute break, that kind of thing). Or, I decide how many pages I'm committing to writing that day. If it's ten, I write the numbers one through ten down on a piece of paper, then cross them off as I go. There's someting deliciously satisfying about seeing those pages checked off. And at the end of the day, I'm a little closser to the end. At any rate, I always have a daily goal. Sometimes it's pages, but most often it's a certain number of scenes. I don't have to worry about the whole book, just today's scenes. That's a much less daunting task, but at the end of the week it adds up to a lot of pages. Eventually, it adds up to a whole book. And then I get to the part I like best: editing and revising.

Answered by Eve Silver / Eve Kenin
author of Hidden
on 6/10/2008

Karla, the key is to try and turn off your internal editor. Rather than rewriting what you have already completed, forge on even if you feel there are things you want to change. Once the story is complete, then rework the parts you aren't happy with. Another consideration: The story you are working on was a learning exercise. Sometimes, a story doesn't get finished. I have a couple of those shoved in boxes in my closet. The one about the witch on the wagon train. And, um, the one that has no plot. Part of my learning curve as a writer was to recognize that those stories weren't ever meant to get written and to move on to something that was. Once I did that, I completed the book, and sold it. Good luck!

Answered by P. J. Mellor
author of Make Me Scream
on 6/10/2008

Hi, Carla. I've found the best way to avoid this is to blast through the book, which will also serve as the first draft. More importantly, it will also accomplish the all-important completion of the book. After all, a publisher can't buy an incomplete book! It's always much easier to fix something that exists. Another thought: could you possibly be re-writing so much to avoid finishing the book? Maybe take some time "off" to sit and think about your story--it may be you need to add more to your plot and that is the reason you're having such a difficult time getting to the end. Good luck! P.J.Mellor

Mary asks: My book is a saga/memoir non-fiction regarding childhood abuse. There is a TV personality on the FOX news channel that I dearly admire because he is a staunch defender of abused children. Would I be out of line if I dedicated my book to him? Do I need his permission to dedicate the book and praise him for his stand on this issue? Thank you for your help!

Answered by Jacqueline Diamond
author of Baby in Waiting, August 2008, Harlequin American Romance
on 6/4/2008

Dear Mary,

You don't need permission to dedicate a book to someone. Most people are honored to be praised in such a fashion.

Until you sell your book (unless you're self-publishing), there's no need for a dedication. I wouldn't include it while submitting, but add it later.

My only caution would be to word the dedication carefully to make sure it accurately reflects the person's position, and that it couldn't be misconstrued. Of course, once you've sold, the editor can help you with this.

Good luck!

Answered by P. J. Mellor
author of Only With A Cowboy
on 6/5/2008

It's always a good idea to ask before including someone's name in a dedication. Believe it or not, a lot of people recoil from the idea of their name being in a book!

Best of luck--and I doubt the news personality would mind since he seems to be an advocate, but in this case, since he is a TV personality, I think it's even more important to get his permission.

Maria Martire asks: I have taken three or four sentences out of a medical book to describe an illness in my book. Do I need to pay the author of the medical book for this or even ask permission? Would it be necessary to add a bibliography or not?

Answered by Jacqueline Diamond
author of Baby in Waiting, August, Harlequin American Romance
on 6/3/2008

Dear Maria,

In this case, you would only need to credit the information if you're going to quote it word for word. If the information is generally available, there's no reason to credit it, since information can't be copyrighted, only the expression (exact wording) of that information.

I would, however, encourage you to look up the illness on the Internet to make sure that your medical book is up-to-date and complete. In researching my book Twin Surprise,, in which the hero has Parkinson's Disease, I did a lot of checking on-line to get insights into this illness.

Personally, I don't care for bibliographies in novels unless the topic involves a great deal of unusual and intriguing information for which readers might appreciate a list of sources to check out. To me, it kind of takes away from getting lost in the world of the author's imagination. But this is a matter of individual taste.

Good luck with your book!

Answered by Robin D. Owens
author of Heart Dance
on 6/5/2008

If you're going to quote the sentences word for word, I'd contact the publisher and/or author to get permission. That said, I'm sure your bright enough to paraphrase the information. However, if you do quote word for word, you might want to do an "Acknowledgments" page and give the information about the book, a line or two would be enough. Not a true bibliography, but enough so you are completely above board. Take care and keep writing, Robin

MHRevelle asks: I have a problem deciding on what genre to write. I love to write about all kinds of things but find that I'm more drawn to Fantasy, Romance and Police Procedural. My problem is that I work on the Fantasy, then find myself drawn to the Police novel, then to the Romance one. Is it better to work on one genre at a time or should I just say 'what the heck' and continue to work on all three at the same time? If it is better for me to go with one genre, how can I force myself to stay focus on just one? I've always had a bad habit of jumping back and forth from one task to another. I think my brain must be spastic!

Answered by Charlotte Maclay
author of Make No Promises
on 5/17/2008

I think you may be better off to focus on one genre to perfect the elements involved in that particular area. It's kind of like you need to know how to add and subtract before can learn to divide. Focus on your writing skills first, then on developing the story you love. Each genre has different expectations. Despite your artistic bent, a scattered approach may well limit your success. Good luck!

Answered by Larissa Ione
author of Pleasure Unbound
on 5/18/2008

Hello! As far as problems go, this is a great one! *g* There will probably be people who tell you to work on what at a time, but I'm going to say, 'what the heck,' do what you want to do. I'm often working on three projects at a time, because I write in three different genres of romance. Contemporary romance, paranormal romance, and s/f action-adventure romance. I've also got an interest in straight science fiction, fantasy, and horror, and I have worked on projects in those genres, as well. If forcing yourself to work on one project at a time will mess with your creativity and drive, then do what you need to do (as in, work on other projects,) to keep yourself writing. One thing to keep in mind, though -- working on several projects might be a way to keep yourself from actually finishing any single one. Not that this IS the case, but it could be, so make sure you're not suffering from a fear of failure/success that's keeping you from finishing something. Because that's the most important thing here -- keeping writing, and writing The End on a project. Good luck! Larissa Ione/Sydney Croft

Answered by Annette Blair
author of GONE WITH THE WITCH
on 5/18/2008

I'm going with my gut reaction here, but maybe you should consider writing a book that has all of those elements in it. It sounds to me like you want to. Often if we write what we love, the result is extraordinary. Best of luck. Annette

Answered by Rebecca York
author of Ghost Moon
on 5/18/2008

I write paranormal romantic suspense. Since my books have elements of three genres, I understand your desire to do more than one kind of thing. My chief advice to you is--PICK ONE PROJECT AND FINISH IT. If you don't settle down and finish a book, you'll never get published. When you finish that, go on to something else you want to do. It took me a long time to figure out what I wanted to focus on. You can see that if you go to my web site and look at all the different kinds of books I've written. There's nothing wrong with trying different things. I actually do work on more than one book at a time. Or--I might be doing a proposal for one, then go back to the novel I'm writing. Or I might write a draft of a book, then pick up a draft I'd written of another book. But--back to my first advice. Finish something. Rebecca

Answered by Shirl Henke
author of RIVER NYMPH
on 5/20/2008

Don't panic, you're not spastic. I have always loved historicals, romantic suspense and political thrillers and have published all three over the years, but when I decide to write a book, I stick to one thing at a time (not counting revisions frome editors). Now, this is just me, but I would say finish one project at a time, say the fantasy, then move on to the procedural, then the romamce, whatever order you prefer. That way, you can stay fresh but satisfy your desire to write in various genres. But in the meanwhile, if you sell one and they ask for more of the same, put the other genres on hold and do a second one. Always write where they pay you for your efforts! It takes a lot of focus to complete a ms. Just hang in there and do it! Best of luck, Shirl

Arlene asks: One of my problems in writing my scenes is showing my Point of View Character's emotions. After writing my story, I tried using Dwight Swain's Motivation, Reaction Units to edit my story, but I have a difficult time doing it. He mentions the motivation comes from someone other than the P.O.V. character, but the story doesn't always go back and forth like that. Is it possible that the motivation comes from the P.O.V. character at times? Also, in P.O.V. Character's conversations with others or in narration, how does Motivation, Reaction come in? It seems to fit the parts of the story when action scenes are happening but I'm not too clear on how to use it on parts of story where no action is happening.

Answered by Pam McCutcheon
author of Writing the Fiction Synopsis
on 5/11/2008

I'm a bit confused by your question. Showing your characters' emotions doesn't necessarily have anything to do with motivation-reaction units, except that the reaction often is the emotion. Think of how the character feels in reaction to what is going on in the story, then show that. Show, don't tell. In other words, show us the visceral reactions of your character (cold sweat, gut clenching, dry mouth, etc.), don't just tell us that they feel fear or sadness or whatever.

As for scene structure, you might want to read Jack Bickham's Scene and Structure (he was a student of Dwight Swain). And, for a much clearer explanation of motivation, read Debra Dixon's Goal, Motivation, and Conflict.

Jennifer asks: Greetings to all fellow authors! My question is one that I cannot seem to get from any book, nor any website. It is simply about the presentation. I will be submitting my proposal next week, and I would like to know what type of packaging is best to send it in. I will be submitting the book in it's entirety and, of course, a SASE. I should probably also let you know that I am submitting to an American publisher, but I live in England. Any opinion will be greatly appreciated.

Answered by Pam McCutcheon
author of Writing the Fiction Synopsis
on 5/2/2008

Writers tend to loooooove office supplies, but you're better off using as few as possible in this case. It's best just to print the manuscript, wrap a rubber band around it, slip it inside a tyvek envelope, padded envelope, or box, and mail. Maybe a simple layer of bubble wrap to keep it from sliding around in the packaging.

The key is to make it easy for the agent or editor to open without having to resort to the jaws of life to extricate your manuscript. I've also heard some editors complain about those type of padded envelopes that are filled with little shredded pieces of paper since they have a tendency to fly out when opened and create a mess. Hope that helps!

Answered by Robin D. Owens
author of Heart Dance
on 5/3/2008

I have a preference. First, rubberband the ms at least once. Don't make that too tight, use a large band so it doesn't break whenever someone is taking it off. Then I like to put it in a BRIGHTLY COLORED expandable folder, with title/author on front, back and bottom. That way if they leave it in the folder, it may be sitting there on bookshelves with a lot of white paper (think I used red for HeartMate). If they take it out of the folder, they may keep the folder around to use for something else and will still see your title/name. Note, I am NOT an insider so I may be WRONG about all of this, but I like the idea ;) Also using the expandable folder minimizes scruffiness. I like to use TYVEK envelopes to send them in because they are very strong, but thin. The US Post office has free ones, I don't know about GB. Thanks! Robin

Mark asks: This might be a dumb or obvious question, but how do I NOT worry about whether or not what I am writing is irredeemably bad, boring, uninteresting dreck and just write it all? How do I know that anyone is going to want to read it? How do I know someone hasn't written the same thing before me, albeit a million times better? Is there some technique for putting aside these feelings? Because I'd be writing a ton more if I had more confidence that it was worth the effort. I want to be realistic about it, you know. There's a million people on this planet trying to write and publish something. My drive is being hacked at by these feelings, and I'd love for them to go away so I can just burn.

Answered by Deb Smith
author of A Gentle Rain
on 4/29/2008

A young man loved playing violin. He went to a great violin master. The master listened to him play then said, "You may never become a master of the violin." So the young man, devastated, put the violin away and never played again. Years later he met the great master a second time. The master said, "So, let me hear you play now." But the man said: "You told me I might never be a master of the instrument, so I quit playing. Isn't that what you intended?" The old master stared at him sadly. "If you were meant to be a great violinist you would have kept playing no matter what I said." Obviously, the point is this: you have to write because you want to write, because you need to write, because writing is important to your soul. No matter what anyone says about your work, no matter how many times you're rejected, no matter how many great writers you see around you. It isn't about them. It's about YOU. Every writer, no matter how successful, battles self-doubt and endures many cruel rejections, bad reviews, etc. In the end, all that matters is how much the act of writing gives you. That's what you take away from it. If your entire focus is worrying about what people will think of your work (and hardly anyone can predict what the reaction will be to a finished novel)then you'll freeze and never accomplish much. Free your mind. Real writers write. Sometimes they write crap, and sometimes they write what they believe to be beautiful stories only to have other people criticize them. But they don't stop writing. Best wishes and stop worrying. Just write.

Answered by Carolyne Aarsen
author of Finally A Family- June Love Inspired
on 4/29/2008

There isn't an author out there who doesn't have the same feelings. I am working on books number 24 and 25 and each time I start I wonder what I'm doing. I think you just have to forget about NOT thinking that, but just figure, okay, it's boring, but I'm going to get it down. I'm going to work my way through this story. Embrace the insecurity and recognize that EVERY author feels this way. Doesn't matter how many books an author has published, how many awards, how many copies sold. EVERY author feels this way. So okay. Get on with it. Write the boring story. Think of it as gathering clay. You need something to work with, something to shape and mold. Often, as you write the boring, dull, plodding story, as you work with your characters and plot, you will find the gems, the story. The inspiration. And realize that no matter how many times this story has been written, you will have your own take on it, you will bring your own experiences and passion that no one else has.

Answered by Charlotte Maclay
author of Make No Promises
on 4/29/2008

Oh, man, we all need to listen to Deb Smith and Carolyne. If you can't stop writing, no matter what anyone says, then you're a storyteller. Doesn't mean you'll ever sell. But it does mean there's a 'genetic' thingie going on that you shouldn't ignore. Good luck! Charlotte Maclay

Answered by Ann Roth
author of The Pilot's Woman
on 4/30/2008

Mark- I feel your confusion. Your inner editor is giving you a really tough time with all that doubt. I'll pass along a great technique given to me by Elizabeth Downes, a creativity coach: When the doubts get you, say to that little voice, "Thank you sooooo much for sharing. I'm working at something I love to do right now. It brings me fulfillment and purpose. So long." Even if you are dealing with a theme that's been dealt with many times before (and really, there are only a certain number of them), your take is different from any others-simply because we are all unique. If you're enthusiastic about what you're writing, the excitement will shine through. Here's a question for you: so what if you get a rejection? Lord knows, we all have. I have a thick file folder of them. Once you send out your baby, start a new project with the same energy. Before I sold, that's what I did. When I got those rejections, I'd think, my current project is so much stronger. Just wait 'til they read IT. Hang in there and remember that the only sure way to fail is to give up. Ann

nizanth asks: I'm 18 now. I've written stories since I was 10 simply for the sole pleasure of writing. I even joined a writers club at my primary school which had just 2 other members but a very supportive teacher. I am a fantasy/magic type guy. I am currently planning a huge story set to take place over at least 4 books. I have a lot of time on my hands. My question is this: How much planning should you do before you actually start writing a story? Since this is fantasy, quite a lot is needed. This may be a difficult question to answer but please tell me what you can. I don't like having to go back repeatedly editing what you have already written multiple times. It sort of ruins the fluidity of the story.

Answered by Rebecca York
author of Ghost Moon
on 4/24/2008

Since you don't like going back and changing stuff in a manuscript, then my advice is to do as much pre-planning as you can. (I am with you. I think it's a heck of a lot easier to change something major in a 25-page outline than it is to change it in a 400 page manuscript.) But really, each writer has to figure out how he or she works best. Some people just want to sit down and write--with no planning at all. When I write a 70-100,000 word book, I've already written a 15 to 25 page narrative outline. Actually, I like to do as much of the outline as I can. Then I write the first few chapters of the book, to get to know my characters better. Then I go back and fill in episodes in the outline. If you're planning a four-book series, you probably want to write down what's going to happen in each book--to make sure it's all logical and it all works. Although I want to plot out the story in advance, I know that what I've written will never entirely work out the way I thought it would. I will always get better ideas as I get into the story. And I will always come to places where I wrote something in the outline that simply doesn't work when I try to write the scene. I would have trouble planning a four-book series, though. The task would feel daunting to me. The series I write are more loosely constructed. I'm currently writing a werewolf series for Berkley that I didn't know was a series until my editor asked me to write more werewolf books. After several books, I knew I had to expand the concept to keep the stories fresh, so I came up with an alternate universe that runs parallel to ours. (and characters go back and forth between these two worlds.) Life there is very different because many people have psychic powers. I began writing the book, with a lot of background about the world. I knew some event had changed that time line, but I didn't know what the event was until I'd written most of the book. Then I got out my U. S. history books and started looking for something I could use. When I came to the Chicago World's Fair of 1893, I thought, "Ah ha. That's it." I had a guy come to the fair in that time line and set up a tent where he said he could give people psychic powers. It worked, and that completely distrupted society because the people without powers were afraid of the ones who suddenly had them--and the two groups began fighting. This has turned out to be a major element in my werewolf books. But I didn't think of it until late in the game. And I didn't try to "force" it, if you know what I mean. So--back to my original advice. Plan as much as you can, but be prepared to make changes when they will benefit your story. Rebecca

Answered by Geri Krotow
author of A Rendezvous to Remember
on 4/24/2008

Hi Nizanth--my suggestion is to just start writing! I've found that my characters often "set up" the story for me, then I go back and do a lot of research as needed. The research also reveals more scenes and plot structure for me. It's all a process, and if you have the time (which you said you do), enjoy it! Peace, Geri

Naomi Fieber asks: I am writing a novel right now, and I was curious as to whether or not, when one screams, you are supposed to actually put, 'AAAAUUUUGGGGHH', or just, 'She screamed in terror.' I am writing a fiction novel, and was wondering about this. Thanks a lot; I really appreciate it.

Answered by Robin D. Owens
author of Keepers of the Flame
on 4/11/2008

Either or both. ;) It depends on where you are in the story, whether it's an action scene, and whether you've used it before. ;) Personally, I found "Aaaarrrrrgh," better, faster, BUT I, as a reader, think of Aaaarrgh as more irritation and anger. That's it's connotation to ME. If it's really horror, I, as a writer wouldn't even use "scream." I'd use "shriek." Again, it's the connotation. "Scream" is more common to me than "shriek." To me, "shriek" is a harder word with the r and k and the eeee. It's more piercing, rises higher, more shocking. But, as I said, you can do either or both. Now that I've totally befuddled you and added more mess to your question and confusion, I'll step out. GOOD WRITING! Robin

Answered by Jacqueline Diamond
author of May, 2008, The Family Next Door, Harlequin American Romance
on 4/11/2008

I think if I saw "Aaauugghh" written on the page, it would look humorous. Actually, I wouldn't recommend writing "she screamed in terror," either. This comes across as telling rather than showing. Showing means allowing the reader to experience the emotions rather than simply telling her (or him) about them.

An example of showing would be to say, Her throat tightened around a scream. The only sound she heard was the runaway beating of her heart.

Hope this helps!

Rene asks: I got a response back from Charlotte Gusay Literary agent asking me to send my manuscript. I sent the 3 chapers and synopsis and the representative liked it and now wants the entire manuscript. But...I have seen negative things on the internet about Charlotte Gusay. What do you think? I only saw one recent book published under this author for 2007 on her web site. I need some help. It is a young adult / adult arena type book that is fiction. I am looking for an agent to help me shop our book.

Answered by Laura Hayden
author of AMERICA THE BEAUTIFUL
on 4/9/2008

Well, the place to start ANY inquiry concerning a literary agency is Preditors and Editors (http://anotherealm.com/prededitors/) which in this case, says "Charges fee. Not recommended." This should make you strike her off your list because repeat after me, AUTHORS DON'T PAY AGENTS. Agents earn their 15% fee from the advances and royalties received from the sale of your works. If her purported reading fee doesn't stop you cold, go to the agent's website. There, she says she is a signatory of WGA. However, the WGA website (http://www.wga.org/agency/agencylist.asp#top) doesn't show that the agency is a signatory agency with WGA. Draw your own conclusion. Plus, on the agency website itself, there's no list of clients and the most recent book she has featured on the site was published April 2007. Either she doesn't keep up her website (not a good sign) or she has no new client publishing credits. (A bad sign) Ask yourself--why would you want to hire someone like this to represent you? Simply because she's interested?

FabioM asks: I'm having problems with my hero's subplot. There's romantic interest, but it's accomplished right in the beginning of the novel, and survival of the lovers becomes the main plot. Since theyre almost all the time together, my viewpoint character2(the lover) doesnt make sense to appear. So im thinking of putting the antagonist as the viewpoint character2, and someone else as 3rd. will this work? Still, im having a little trouble having a subplot since the main one is so intense(there's no time for main char's subplots). Can i make the subplot the antagonist's subplot or the confidant subplot? or is it a big mistake? Also, making the antagonist as human and likeable as possible, to whom the reader can sympathize with, althought knowing that what he is doing is wrong(and the antagonist himself has the counscience that what he is doing is wrong, but he gradually loses it and becomes obcessed with his wrongdoing porpuse, and eventually he will see it as the only way- he believes himself to be a good person tho) is a good way to create an antagonist? sorry for so many questions! cheers

tasha asks: Which is better in the sense of selling and having the book most read, writing in first or third person.

Answered by JoAnn Ross
author of FREEFALL, a NYT bestselling High Risk romantic suspense
on 4/6/2008

Hi Tasha,

In many ways, that sort of depends on the genre. Mysteries, for instance, are often written in first person, as are many Southern novels (such as Pat Conroy's and Anne Rivers Siddon's), and literary novels, along with probably others that aren't immediately coming to mind.

Unless the book was amazing, in original story idea, structure, and voice, third person would be easier for a new writer to sell to an editor. And third person books garner more sales over all, because the majority of novels are written in third person, so there's already a built-in audience.

But what it really comes down, and what is always most important, is what's right for your story. And your voice -- what sounds the most natural when you write. If you stay true to your story, your characters, and your voice, a good book will find a home.

Hannia asks: I'm 16 years old and i'm writting a book. To start with i was only doing it for fun, but now i'm thinking about maybe having someone take a look at it. Problem is because this wasn't my goal to start with I don't really know anyhting about how to go about being published. Also, my book is part of a series i was thinking about having 4 parts to it. I already have the ideas jotted down so i know what is going on in all of them. But i never really thought about my market segment. Thing is as i'm only 16 i'm not really writting in the manner of having older people enjoy my book, I don't think so anyway. But in my book it has: Lesbians and one is sold into slavery. The scenes i am writing is of course very mild, but I don't think this is allowed to be aimed at teenagers and younger adults?

Answered by Melissa MacNeal
author of Only With a Cowboy--May '08
on 4/4/2008

Hi, Hannia!

I've written some lesbian scenes and some slave stories, but my books are definitely considered adult entertainment...and even so, not all editors and publishers will buy erotica with these elements. It's a pretty good bet editors in the young adult market wouldn't look at your stories.

Have you considered writing your book and the series for your own entertainment--and to prove to yourself that you can actually finish a book? To be considered for publication, you have to have your first book completed, anyway, and we're usually talking about manuscripts that run 300+ pages. Finishing at least your first book would be a good way to know if you have enough story--and it's an excellent way to learn how to write books! Most authors use their first book or two as "education" for becoming a writer, and meanwhile they attend writers conferences and read magazines like Writer's Digestto learn their craft. Knowing correct writing formats, and using correct spelling, grammar, and punctuation--and knowing what makes a good story great enough that an editor will buy it--are important things to learn. Editors won't even look past your first page if your work needs a lot of correction.

Good luck with your writing, Hannia! A lot of writers I know started out at your age!

Shane asks: I am writing a book and I'm only 13, and I was wondering who can I send my manuscript to? I mean I don't know who's out there and I don't really want to pay loads of money to get my script edited. And also Rick Riordan inspired me to do books about Greek Myths and what not and I was wondering if thier has to be a time period? Mine is set in the present time america

Marie Davis asks: I want to write a childrens book that has real buttons in it. How do you submit your book with the above idea in mind? Do you make one by hand and send it or just tell them how you want it "illustrated"?

Darlene asks: Hello, I have a question about character's names. What is appropriate in using the First name, the Sir name, just the last name, and also the profession. Example: Chief Officer Randy Taylor. At times I have seen just the last name (Taylor), then " The Chief" , and then in a more intimate scene, Randy. I would like to know if there is any general rule of thumb, or is it just good english. Darlene

Answered by JoAnn Ross
author of FREEFALL, a NYT bestselling High Risk romantic suspense
on 3/22/2008

Hi Darlene,

Good question! And one I play with a lot in my own books. I can only speak for contemporaries, which is what I write, but in my current High Risk Special Ops series, I tend to use the rank of the person when we first meet them (or as soon as possible), then last name, first name, or nickname depending on whose point of view the scene is written in and how that person thinks of the character. You're right, different names are another tool we can use to reveal varying levels of intimacy.

As for writing rules (even rules of thumb), I've always believed in what Somerset Maugham had to say about them: that there are only three rules in writing the novel; unfortunately no one knows what they are. :)

Hope that helps and good luck with your writing!

Refki asks: I finished a manuscript – a novel – and send it to three different commercial editors for an assessment and a price quote. They all, more or less, quoted the same price and sent back three (free sample) edited pages of the manuscript. Besides in three cases, they all gave suggestions/comments in different sentences of my work, which to me looks more like different styles of writing, rather than real mistakes. Now I’m really confused and still don’t know what kind of editing my work really needs. Is there any source or agency, which is not business/money related, that I could send a page or two for reading and that would let me know how much editing does the manuscript need, to get it to a publishable stage? I’d like to send it to agents in a really good shape.

Answered by Refki
author of N/A
on 3/20/2008

Hi, Refki, congratulations on finishing your manuscript. Before you spend upwards of hundreds of dollars having your manuscript *edited*, have you considered joining a critique group? There are several writing organizations, which I hope you've considered. From your post, and the fact that three different editors made suggestions e.g. three different versions of your work, you're able to see that it's subjective. My advice to you is to join a critique group and always, always return the favor. Good luck.

Answered by Charlotte Maclay
author of Make No Promises
on 3/20/2008

Hi Refki. I'm going to echo Charlotte Hughes' comment and encourage you to find a critique group or perhaps sign up for a writing class at your local community college or university extension. I took my first writing class (several hundred years ago, it seems) in an adult education program. If you're not in an area with easy access to writing organizations or educational programs, try looking for online classes or critique groups. (There's one on AOL.) The point is to link up with other writers who enjoy helping each other. I confess, I once paid a 'freelance editor' to look at my manuscript before I joined Romance Writers of America. She was fine on grammar, which was help I didn't particularly need, but not on the fact the I was telling the 'wrong' story; a story that didn't fit the market. If you have to, send a notice in your community newspaper that you're starting a Writing Group, give the date, time and restaurant where you'll be meeting. You may be surprised how many folks show up. Good luck!

Arlene asks: Is it best to submit work to an agent or a publisher? And if submitting to a publisher, you get accepted, is it best to get an agent before signing a contract to help negotiate the terms?

Answered by Charlotte Hubbard
author of Gabriel's Lady--May '08
on 3/17/2008

Hi, Arlene!

Because the submission process is virtually the same to agents and editors, why not submit to both at the same time? That's how I sold my first books, and how I got my name out to agents, as well. Then, if you get an agent to say yes first, you have a better chance of him/her submitting your work to editors who'll want to buy it. And in today's market, if you get an offer from an editor first, agents will be MUCH more willing to take you on as a client! You'll compress the time this whole process takes by having both sets of publishing pros looking at your projects at the same time.

Good luck! Charlotte Hubbard

Answered by Julie Miller
author of Protective Instincts
on 3/17/2008

A lot of it depends on what publisher you're targeting, Arlene. Some publishers require you to have an agent before you submit your work to them (check publishing guidelines), while others have a standard first sale contract that they won't negotiate on much, whether you're an agent or an author representing yourself. Beyond that, a lot of it has to do with your own personality. If you have good business skills and aren't afraid to ask for things and stand up for yourself in a negotiation, then you may not need an agent at all. I know several authors who represent themselves with no problem at all. Others prefer to focus on the creative relationship they develop with an editor, and let their agent focus on the business/get tough negotiation aspect. Of course, even with an agent, you need to be the one in charge of your own career and what you want, but the agent should take a stand or be as flexible as you want him/her to be.

As to your second question, again it probably depends upon the publisher you're targeting. There are some agents who will step in and handle the negotiation, especially if you've already developed a relationship with him/her via previous submissions, having something under consideration, etc. They're looking to develop a relationship--they probably won't even ask for a percentage on that first book that you submitted and sold, but will want to handle future submissions. Others don't want to be bothered unless it's going to be a substantially large first contract, or if they weren't in on the submission phase. Many agents have contacts and routines they prefer to use, and don't like coming in at the last minute.

For me, it's been a boon to have an agent. Although I sold and handled my first contract without her without any problem. She can help smooth things out if there's a problem, schedule things between publishers, etc., beyond just selling books and reading contracts. Love my agent! I've also had a bad agent (no longer in the business) and discovered that was worse than having no agent. And to be honest, it's probably harder these days to get a good agent than it is to get an editor to look at your work. Read the publisher guidelines carefully, evaluate your own personality and career goals, then decide.

Answered by Charlotte Hughes
author of "What Looks Like Crazy"
on 3/17/2008

This reminds me of the question, "Which came first, the chicken or the egg?" I've heard that the roles of agents and editors have shifted over the years. Agents spend more time helping an author polish his/her work, and editors are spending more and more time thinking about the market, sales figures, promoting the work, and so forth. I would suggest writers check out the Market Update in the RWR and/or read through the Literary Marketplace at the library. The "LMP" lists agents who are willing to work with unpublished authors. The book, "The Writer" -- published once a year, in March, I believe -- lists publishing houses that work with new writers. Pay close attention to what agents and editors are looking for. You do not want to send a sci-fi query or manuscript to a house that is only interested in seeing contemporary or historical romance. Also, make certain you have the correct name and spelling of the agent and editor. In other words, do your homework. Be professional. Some publishers gladly accept queries from unagented authors. If the editor offers a contract, it might be wise to ask if he/she prefers working through an agent. If that's the case, the editor may even offer you the name of one they work with frequently. The agent is more likely to accept an author who has been referred by an editor with whom he/she works on a regular basis. Depending on the publishing house, an agent is sometimes able to get an author more money and better terms. That is not always the case. Some publishing houses, mostly those dealing with category romance, offer a standard contract. There is more room for negotiation on single title releases. Again, my best advice would be to hit the reference section at the library, study the LMP, and "The Writer," and take plenty of notes. Oh, yeah, one last word of advice. No matter what, never, never, never give up!

Karla asks: I was wondering where is a good point to explain a complicated family relationship that isn't obvious to the reader? I didn't want to start off the book with a whole bunch of back story, especially because I want the reader to see the dynamic in the relationship before they find out exactly what it is, but I'm not sure how far into the book is too far to bring it to light. I don't want it to seem like a curve ball or something that came out of no where, but I also don't want to write a bio for each character at the beginning of the book. Any suggestions? (I'm about 1/4 of the way into the story)

Answered by Charlotte Maclay
author of Make No Promises
on 3/6/2008

Karla, oddly enough the answer is to provide that part of the backstory when the reader needs to know the information. It sounds as though you're feeling the need to tell them now at the 1/4 point. I think you can rely on your instincts, but try not to make it a huge long expository that otherwise slows down the story. Good luck!

Answered by Joy Nash
author of Deep Magic
on 3/8/2008

Karla, This is always a tricky situation, as you've realized. Resist the urge to explain all too soon - a bit of mystery and suspense is good. On the other hand, I've read books where I got annoyed that a relevant bit of information was kept secret too long, when it would have enhanced the reader's understanding of the story and character motivations if the author had made things clear more quickly. I think it's best to bring out the backstory in logical pieces, and best if the information relates to the action at hand. Of course, that might not be the case, but you still need to get the backstory out. This is where a critique partner or early reader (even one who isn't a writer) comes in handy. It's often difficult for the author, who obviously knows all already, to know exactly where to place the backstory for best effect. Usually a pair of fresh eyes to the story will pinpoint the solution to your dilemma. Joy Nash

Connie Venturin asks: I am writing an historical romance/adventure in the time of the American War of Independence, and want to use a famous person as part of my story. His role in my book is a relatively short, but very important one. He is not disparaged in any way, and I use historical facts that are well documented regarding his part in the war, so am not writing anything that is not known. I do, however, ‘get into his head’, thus shaping a personality I can really only guess at, given his well known reputation and the facts available. My question is, is there any legal (or otherwise) reason why I should not use him in my book? Looking forward to your response.

Answered by Jacqueline Diamond
author of The Family Next Door, May 2008, Harlequin American Romance
on 3/4/2008

Dear Connie, While I'm not a lawyer, I don't see any problem with using a historical figure, particularly one whose children and grandchildren are no longer living. As you seem to understand, problems can arise with using a living person if there might be any possibility of libel. Although some authors do this -- for example, in a Hollywood party scene, they might mention some real movie stars -- it's tricky. For instance, one famous comedienne never drinks and, based on family tragedies, has campaigned against alcohol abuse, so a casual reference to her drinking at a soiree might be libelous, where another person wouldn't take offense. Further problems can arise with using a real, living person who isn't very famous. In that case, he or she might sue on the grounds of invasion of privacy (celebrities, by the way, have fewer legal protections than ordinary folk against invasion of privacy and against libel). In the case you cite, I would consider it safe enough as long as you haven't lifted large amounts of material from one particular biography (plagiarism issues). Good luck with your book! Best, Jacqueline Diamond

Dawn asks: I was just reading that when constructing a new Chapter that I should drop down 6 to 8 spaces before putting in Chapter 1, Ect. I have my Chapters at the one inch Margin and then the text starts fives spaces from there. Can I ask what you girls do? Should I drop the chapter heading down a few spaces?

Answered by Laura Hayden
author of AMERICA THE BEAUTIFUL
on 3/2/2008

Writers of all gender should start each chapter eight double-spaced lines (not spaces) from the top of the document. Starting seven or nine lines down isn't necessarily a deal-breaker. However, five lines would look significantly different than a standardly formatted mannuscript and when it comes to manuscript formatting, different is not good. You don't want any abnormaility of your formatting to outglare the shining quality of your writing. Hope this helps.

Answered by Toni Blake
author of TEMPT ME TONIGHT
on 3/2/2008

Dawn, generally speaking, a new chapter should start around a third of the way down the page. That's the usual convention, but the main thing is to present a neat, tidy, easy-to-read manuscript : ) Good luck!

Answered by Annette Blair
author of Sex and the Psychic Witch
on 3/2/2008

I always start my new chapter at the eighth double space. I've had three publishers, seven editors, and fifteen published novels, and nobody's complained. But seriously, if you write a good book, they won't. Best of luck with your writing career. Annette Blair GONE WITH THE WITCH May 2008

Answered by Rebecca York
author of BEYOND FEARLESS
on 3/2/2008

I drop the first line of a chapter down several spaces. But I don't have a hard and fast rule about where it falls BECAUSE, if I want to make it clear that there's a space break inside the chapter (as when the scene changes from one pov character to another), and that space break falls at the end of a page in the manuscript, I might move the beginning of the chapter up or down a little so that the space break is apparent. I might also move the top of a chapter up if I've got only one line of text on the last page of a chapter. That way, I don't waste a whole page at the end of a chapter with one line of text. Rebecca

Answered by Diane Gaston
author of The Vanishing Viscountess
on 3/2/2008

Dawn, I think your question is where to put the words "Chapter One." The answer is, drop down "Chapter XXX" one third of the page (or 8 double spaces), then start the text right underneath your words"Chapter XXX". Don't put "Chapter XX" up at the top margin and then drop down the 8 spaces. I hope that is clear!

Answered by Joy Nash
author of Deep Magic
on 3/3/2008

Hi Dawn, There's some leeway on this with different editors/houses. Some are pickier than others. But if you're unpublished, rest assured that no editor is going to throw out your manuscript if your chapter heading is on the wrong line! I place "Chapter XX" on Line 8 of my double spaced page, then skip one line and start the text on Line 10. Between scenes inside a chapter, I leave one line with a "#" in the center. Chapter One might be a little different when you're submitting. In order to fit you name, address, phone, etc. at the top of the page, you can drop the chapter heading down to Line 10 and start the text on Line 12. Hope this helps! Joy Nash

Jessica asks: Im writing a book, and Im in my early teens. I was wondering if I had any chance actually getting my book published. My book is about fantasy/magic, do people at the moment like that kind of genre? And were, when Im done, can I send my manu-script? Im not sure who is out there, that would take my script and read it. And also do you know were I could find diffrent meanings for words. For example another meaning for mad is angry. please help. thanks

Answered by Tracy Montoya
author of Telling Secrets
on 2/28/2008

Jessica, good for you for writing a novel at such a young age! The guy who wrote Eragon wasn't much older than you are when he wrote his book, and now it's a movie! So yes, you can get published. And yes, fantasy books are very popular now, thanks to Harry Potter. There's a book called Writer's Market that's published every year that can give you the names of different editors at various publishing houses and how you should submit to them. Some of them will want you to only submit through a literary agent, and some will allow you to submit on your own. Writer's Market may have literary agents listed as well--it's been awhile since I've looked through it! You may also want to read a book like The Sell Your Novel Took-Kit, which tells you exactly how to put together a proposal package to sell your book. And finally, the reference book you want to look up similar words is a thesaurus. Good luck!

Answered by Annette Blair
author of Sex and the Psychic Witch
on 3/2/2008

You always have the chance of getting a great book with a great plot published, though if you're underage, the contract may be with your parents. I don't know the lagalities. You need to know what kind of publisher publishes the kind of book you're writing and look them up on the Net to check their requirements. You can find different meanings for words in thesaurus.com or urbandictionary.com. There are several places to look online, and there are many reference books out there with slang and pop culture meanings. Best of luck to you in your writing career. Oh, and school comes before writing. Otherwise, you won't be able to handle the business end of a writing career, a challenge to all of us. Annette Blair GONE WITH THE WITCH, May 2008

Rodrick asks: Hi! this is Rodrick and I sent the question a few months ago for How my Motivation should go on and to counter the Muse-Day off. I'd like to thank All the people here who gave their advices, they're the best! And now I've finished the book and my new question is; Should I send my manuscript to One agent first then wait for a reply, then to another agent if I was rejected by the first?, or should I send all at once then wait for the person who'll consider my work first? Please do help and thanks in advance!

Answered by Helen Brenna
author of Peak Performance, 5/1/08
on 2/28/2008

Rodrick, I think sending your work to one agent at a time will make the process much slower than it need be. I'd send to your top, say, 5 or so agents. Once you've heard back from 2-3, send out another batch of five. Always keep something out there. A couple things to consider, though. Some agents only take queries, some take partials, but I'm not sure there are any agents who will take full, unsolicited manuscripts. Follow the agents guidelines for submissions. Also, if you get an agent who offers you representation, courtesy required you call the other agents you've queried and not yet heard back from to give them the chance to read your work. Good luck!

Answered by Carolyne Aarsen
author of The Price of Fame
on 2/28/2008

Writing is a business and there are times you need to put away your writer's persona and put on the business one. If you are selling a bicycle, you don't go individually from potential buyer to potential buyer, hoping one of them will buy it. You put it out there for whoever is interested. I know you'll hear this piece of advice quite frequently, but if you have two agents interested in your work, this is a good thing. Then you get to go from one to the other and ask them what each of them can do for you. Just make sure, though, that you go with an agent who doesn't promise you the moon, but promises that they are excited about your work and will be invested in your career.

Answered by Rebecca York
author of BEYOND FEARLESS
on 2/28/2008

Rodrick, you can send material to more than one agent at a time. But you MUST tell them what you're doing, so they don't think you've sent to them exclusively. Also, most agents don't want a full manuscript. Check to see what if they want a querry letter or a letter and chapters. Also important: You must send an SASE if you want a response from them, because they will not pay the postage. Rebecca

Answered by Ann Roth
author of The Pilot's Woman, March 2008
on 2/28/2008

Rodrick- Different agents have different submission requirements. Check on internet or Writers Market (you can find a copy in any library) for what the agent wants. Be sure also to make sure the agents you target represent what you have written. Then send out queries to several. If you wait to hear back, you'll spend years sending out just this one novel. Multiple submission is best. If an agent asks for an exclusive (meaning they want you to submit only to them for a specified period of time) either give them a maximum of two weeks or tell them you can't grant an exclusive. Doing so won't hurt your changes a bit. Best of luck!

Arlene asks: I have submitted a query letter to 5 different agents and been rejected with the same letter that my work doesn't meet their needs. I know that is just a form letter, but I am writting historical romance and though I know it may be my story that needs improving, I wonder if agents and publishers are looking for books set in only certain periods of time. Mine is a pirate novel set in 17th century England.

Answered by Annette Blair
author of Sex and the Psychic Witch
on 2/26/2008

Arlene, If you're getting form letters, it could mean that they didn't read very far, which could mean that you didn't start in the midst of action. You may have started too soon or with backstory. I haven't written historicals for a few years but the 19th century used to be more popular than the 17th century in 2004 when my last historicaol came out. On the other hand, it would seem as though Pirate stories would be popular, given Pirates of the Carribean. So my suggestion is that you look at your writing and see how it can be improved. Join RWA. Attend chapter meetings, workshops, and conferences or buy a book on writing romance. Best of luck to you. Annette Blair GONE WITH THE WITCH, May 2006

Answered by Phoebe Conn
author of MANGO SUMMER January 2008
on 2/26/2008

Dear Arlene, A writer does not need an agent to sell to many publishers. Who is publishing the type of books you love to read? Check that publisher's web site for information on how to submit to them. Writers often work for years and write more than a dozen books before they make a sale. Did you realize most writers do not sell their first efforts? You'll learn more with each book you write. Take classes, do research, read the best selling authors. Do your best to be professional, and don't quit. That's the only secret there is: never give up.

Dawn Binkley asks: My first novel is done. I am working on my query. My question’s are: If I get the glorious call or letter, requesting my manuscript. Do I send the acknowledgment page with it or does that appear amateur? Should I only send that if they accept my book? Of course I am an amateur. But I don't want to appear that way. So thank you so much for your time and help.

Answered by JoAnn Ross
author of FREEFALL, a NYT bestselling High Risk romantic suspense
on 2/22/2008

Hi Dawn, We're all amateurs at some point, but I understand how you feel. Save the acknowledgment page for when the publisher buys the book. You'll undoubtedly have some suggested revisions, and I usually send mine in with my revised ms. Good luck and congratulations on finishing that novel! It's an accomplishment few people achieve and you should feel really proud of yourself!

Answered by Helen Brenna
author of Peak Performance, 5/1/08
on 2/23/2008

Only send in your manuscript itself. The author pages, including your dedication and acknowledgments, including possibly a bio are sent much later, after you've signed contracts. Your editor will let you know when she needs it.

Answered by Annette Blair
author of Sex and the Psychic Witch
on 2/26/2008

Dawn, if they call requesting your manuscript, that doesn't mean they're buying it. It means they're willing to read it. If they call to say they're buying your manuscript, ask when you should send an acknowledgement/dedication page. It may need revisions and sending the acknowledgement/dedication would work best when you return the revised manuscript. I rarely send mine until the copyedit stage. Annette Blair GONE WITH THE WITCH May 2006

Paul Reeder asks: I am writing my first novel on my PC my goal is to have a 300 page novel when published. I understand the published finished product word count is different for thr PC word count. About how many pages on the PC word count would convert to a 300 page published novel. Thanks.

Answered by JoAnn Ross
author of FREEFALL, a NYT bestselling High Risk romantic suspense
on 2/22/2008

Hi Paul -- Most publishers these days are looking for somewhere between 90,000-100,000 words and go by your computer count, but a rule of thumb I've been following for 25 years is that 25 lines per page will usually work out to about 250 words. My most recent book ended up 375 printed pages (not counting the excerpt for the upcoming book) and I seem to recall turning in about 400 or so manuscript pages. Hope that's some help! And good luck with that novel!!!

Answered by Ann Roth
author of The Pilot's Woman, March 2008
on 2/23/2008

Paul- Different houses count in different ways. Some use the actual ms. wordcount (found under Tools of you computer). Others do it by pages. 300 pages is roughly 75,000 words. 400 pages is roughly 100,000 words. Depending on the publishing house, you'll probably want something between this word count. Best of luck, Ann

Darlene DeWitte-Bassett asks: My question is more of a personal nature, I have several pieces that are ready to be submitted to publishers, but I find myself hesitating because I cannot convince myself they are, or every will be "good enough". How does a writer ever gain enough self confidence, or grow thick enough skin to take the next step, and mail off your first works. Darlene

Answered by Rebecca York
author of BEYOND FEARLESS
on 2/23/2008

All of us have to learn how to write and polish a manuscript. I wrote my first novel in a class I was taking at my local community college. I read chapters to the class, got feedback and revised them. Then I revised and edited the whole manuscript. When I was finished, I gave it to several writers I trusted and asked if they thought it was polished enough to send out. Are there people you trust who could read your manuscript and comment? If not, you might look for a freelance editor who could help you. Rebecca

Answered by JoAnn Ross
author of FREEFALL, a NYT bestselling High Risk romantic suspense
on 2/23/2008

Hi Darlene --

You're right, this is a personal type question and everyone's answer will vary. First of all, there are a LOT of books out there on writing. The problem is that many will contradict each other, so, while they can be helpful, the only way to really figure out what works for you is by reading a lot and writing a lot. Every day, to stay in the groove. And, of course, you need to learn the basics of craft: grammar, spelling, manuscript preparation, etc, so a lack of skill doesn't cost you the sale of a great story.

Then, after all that, you can do as Ruth suggests (which actually doesn't work for me -- 26 years after I started, the only person who reads my work before my editor continues to be my husband) or you can just take a deep breath and dive into the water, knowing that rejection is part of this business. I once had an editor for a very small town weekly newspaper in New Mexico tell me she couldn't imagine ever buying anything I wrote. Yet I went on to write for several years for Arizona's largest daily newspaper.

I had twelve rejections on nine completed novels. But after that I've sold somewhere around a hundred. I'm not saying that rejection doesn't sting. It always will and, imo, writers can never become too thick-skinned or they can't be open enough to write characters and stories that touch readers emotions.

Even after those first sales, I've had books rejected. Fortunately, they've gone on to sell to different publishers, but this business is so subjective, it's important to remember that rejection isn't personal. What doesn't appeal to one editor may be exactly what another editor is looking for. One thing I do know for certain is that all those years I was hiding my work away in my piano bench, not once did any editor come to my door and ask to see it. If you choose to write just for yourself and family and the pleasure of writing, that's cool. If you want to be published to a larger audience, and you believe your work's ready, then go for it. And good luck!

Answered by Helen Brenna
author of Peak Performance, 5/1/08
on 2/23/2008

Mailing our writing off is a big step, Darlene. Don't minimize it. Then again, don't let it paralyze you either. You've come so far and worked so hard for exactly this. Just do it, recognizing there is no such thing as a perfect book. Joining critique groups and entering contests can help get a writer ready to submit to editors. Baby steps lead to bigger ones. And your right, a thick skin is important in this business. Even published writers get rejections on proposals, revision letters on contracted work and reviews that aren't exactly what they'd hoped for. We all grow and improve as writers. As long as I've written the best scene or and the best book I can given my abilities at the time, I can sleep soundly at night! Good luck

Answered by Charlotte Hubbard
author of Angel's Embrace
on 2/23/2008

Darlene, next time you go to a bookstore, gaze at all those gazillions of books and tell yourself that every one of those authors had your same crisis of confidence! Every one of us--and many of us have doubts about selling the second, third, etc. books! And then ask yourself how you'd feel if your favorite authors had never overcome that obstacle. Fear of rejection is part of the game, and the only way to overcome it is to go ahead and play! If you have several projects ready to submit, do your market research and prepare a list of publishers/editors who might buy each one. Then, if they get rejected, you allow yourself time to be upset and stick them in an envelope addressed to the next house on your list. If it's systematic, it's easier. If you really want to make a game of it, start a collection of rejection letters. AIM for dozens! Remind yourself that even Stephen King, Nora Roberts, etc. have gotten them and still, from time to time, get a NO on some of their ideas. The sooner you accept that a rejection letter is only another step in the process--NOT a sign that you're a failure as a writer--the sooner you'll pay attention to the advice you receive in them, and the sooner you'll get published. More often than not, getting published is as much about perseverance as it as about talent. Good luck! Charlotte Hubbard

Answered by Annette Blair
author of Sex and the Psychic Witch
on 2/26/2008

Darlene, I held on to my first two manuscripts for a couple of years, so I understand where you're coming from. Once you send them out, you'll know where you stand with the editors or agents you sent them to. Don't assume they're all wrong or all right, but if two tell you the same thing is wrong, make sure you're doing it right. Rejections give you a thick skin. I should know mine is 112 rejections thick. But I'm a National Bestselling author now and if I'd never sent them out, I wouldn't be any kind of author. I found that steaming after a rejection, then hurting, then sleeping on it, usually had me thinking of ways to fix it in the shower the next morning. The very best of luck to you and may you sell on the first try. Annette Blair GONE WITH THE WITCH, May 2006

Karla asks: I have a character in my story who is bilingual, but the only time he doesn't speak English is when he is speaking to members of his family. When writing a scene that involves him and his family members, should I write the scene in that other language (which happens to be Japanese), or should I write it in English and just include in the story that he's speaking another language?

Answered by P. J. Mellor
author of Make Me Scream
on 2/22/2008

Hi, Karla--

Unless you are planning to sell your book to a Japanese publisher/target Japanese speaking readers, I would steer clear of using Japanese (or any foreign language)dialogue because it's tedious/impossible for most readers to read and will take them out of the story. You can let the reader know the character is speaking Japanese by adding a word of two in italics and/or telling them so in narrative. Bottom line, you want to appeal to the broadest reader base as possible.

I hope I helped. Good luck with your story!

PJ Mellor

Answered by Annette Blair
author of Sex and the Psychic Witch
on 2/22/2008

I think that you should write it in English so that the editor or agent you submit it to can understand your story. I can't imagine that too many readers out there can read Japanese either. And if you believe that his conversations with his family are window dressing and don't matter to the reader, then they shouldn't be there, anyway, because they don't move the story forward. Maybe the reader only needs to know that he's close to his family, in which case he make his communications with his family known to a secondary character. Best of luck with your writing career! Annette Blair

Answered by Rebecca York
author of BEYOND FEARLESS
on 2/22/2008

If you write the scene in Japanese, only a few people will be able to read it. The way I handle this is to say, "Speaking in Japanese, he said . . ." Or you could start off with a Japanese word or phrase. Like "Hello," or "good morning," or whatever he says to his family. Then say he continued in Japanese (and you write it in English.) BTW, that first word, "hello" would be transliterated. In other words, you'd sound it out with English characters. Rebecca

Answered by Sue Swift/Suz deMello
author of SPY GAME, by Sue Swift
on 2/22/2008

Karla, I encounter the same dilemma frequently. In SPY GAME, there's a scene in which two people are speaking in Cantonese. I simply wrote: A deep, soft voice came from behind her, speaking in Cantonese. (after a little internal monologue, I wrote:) ...she replied in the same language. If you want to check that out, SPY GAME is currently available and the conversation I reference is on page 188. In another book, ENGAGED TO THE SHEIK, the hero, a prince, is chatting with his family. I don't specify what language they're speaking until his brother makes a pun in English, but then I note that the conversation continues in Arabic. The conversation is at pages 137-139. In other words, I don't make a big deal about the language thing. If you write the scene in Japanese, you're going to lose most of your readership, unless the book is being sold to a Japanese publishing company and sold in Japan, where quite a large proportion of people are bilingual. You just mention that they're speaking Japanese, and write the scene in English, if you're planning to sell your book to a US, UK or Australian publisher. Hope this helps, and best of luck to you. Sue Swift

Answered by Barbara Huffert
author of Bound Brits Anthology
on 2/22/2008

Is the conversation essential to the story? Are you specifically targeting Japanese-speaking readers? If not then you really need the English translation so everyone knows what's going on.

Answered by Ashley Ladd
author of The Perfect Gift
on 2/22/2008

My advice is to tell the reader they are speaking Japanese otherwise it will get tedious to repeat or you'll lose the reader thoroughly if you don't paraphrase in English. That said, I would pepper in a couple words or very small phrases in Japanese that you do explain to get the flavor and authenticity. Good luck!

Arlene Richard asks: On writing historical romance, is it more acceptible to publishers if you write love scenes where the heroine and hero don't actually make love? Another words, is it better to show sexual tension and not let them go all the way? I ask, because it is in the 17th century and a period of time when a woman was not considered respectible if she engaged in sex without being married.

Answered by Rebecca York
author of BEYOND FEARLESS
on 2/9/2008

Historical romances are not reality. In many of them the h/h do make love. In historical novels (not romances) they are less likely to make love. And there are some sweet romances where the h/h do not make love. Sexual tension is always good! Rebecca

Answered by Annette Blair
author of Sex and the Psychic Witch
on 2/9/2008

Hello Arlene, I wrote nine historicals, before I started writing contemporary comedy, and they all had sex in them, even the Amish historicals. Sometimes books are plotted around the fact that a woman is being shunned or kept in a cottage in the country because of her "fall" from grace, and she manages to find her hero anyway. It really depends on the publisher that you're targeting. Some publishers only want traditional or sweet romances, meaning those where they close the bedroom door, or a virgin doesn't have sex. Some publishers want sex in every story, no matter what, and you have to figure out how to make it work. What kind of historicals do you want to write should probably be the first question. Writing from the heart, rather than for the market, always makes for a better story. If that question is answered then figure out who you want to sell you book to and look at their guidelines. Best of luck with your writing career. Annette

Answered by Ann Roth
author of The Pilot's Woman, March 2008
on 2/10/2008

Arlene- Every publishing house has subgenres under their historical lines, some sexier than others. Check online and other places for guidelines. Good luck!

Answered by Charlotte Hubbard
author of Angel's Embrace
on 2/11/2008

Arlene, I've written historicals that were extremely racy and now I'm writing a squeaky clean series. This matter of a sexy, sultry heroine really has more to do with which audience and publisher you're targeting your story for than the time period you're writing in--and, most of all, it depends upon the sort of woman your heroine is. If she's a "good girl", she'll behave accordingly. If she's more adventurous, her passion will find a way to express itself with the hero, and he'll love and respect her for sharing that part of herself despite society's rules. Once you decide on your characters and your readership, you'll have the best answer to your question!

Answered by Joy Nash
author of Deep Magic
on 2/11/2008

Arelene, You have to write what you feel is best for your story. That will make your book as powerful as possible. When an author writes something she doesn't believe in, it shows. That said, you must also understand your targeted publisher and market, and what your potential readers will expect. Luckily, in the romance genre, there's a wide range of "heat" in the market, so I'm sure your story can find a home whether or not there's a "completed" love scene. Something to keep in mind when you're writing historicals. Even if there's a perception that "most" people acted a certain way in a certain time period, fiction of every genre often deal with the exception to the rule rather than the run of the mill. So your heroine is allowed to skirt the boundaries of accepted behavior of the time, as long as you can give her a strong motivation for her shocking actions. Joy Nash

Pamela Diamond asks: I have written a manuscript and when I was writing it I never gave any thought to the fact that I would want to get it published. I was caught up in the story and when things came to me I put it on paper. When it was done I only then thought that it might be publishable. The problem is that when I was writing it I never followed any guidelines set by a publisher. Now that it is finished I want to get it published and I was wondering if you might have some idea of what I would need to do in order to get someone to read it.

Answered by Ashley Ladd
author of The Perfect Gift
on 2/5/2008

First, I would find a critique partner or group to help you go through it and polish it. They might also be able to help you decide which publishing house and or agent to submit it to. Without knowing more about the story - i.e. the length, the genre, the heat level if a romance, I couldn't tell you which publisher to submit your baby to. Is it similar to other novels you've read? If so, check out those publishers' guidelines to see if your novel fits. Good luck!

Answered by Ann Roth
author of The Pilot's Woman, March 2008
on 2/5/2008

Pamela- How wonderful that you wrote a whole book, just for you. I've done that myself. Now that you're thinking about publication, decide what you've written. A memoir? SciFi? Romance? Figure out the genre. Then research which publishers publish that genre. You can find that info online or in one of the writing references available the library or bookstore. Next you'll want to edit and revise your work until it's a smooth and good as you can make it. Then maybe find a critique partner, someone who knows something about writing and wants to publish their own work. Let the partner read it and listen to their comments. If you agree with the comments, make changes. You might also want to join a writing organization. Do a 'net search to find a chapter in your area. Best of luck!!

Answered by Sue Swift/Suz deMello
author of Spy Game by Sue Swift
on 2/5/2008

If I were in your position, I'd review the writing guidelines out there and find a reputable publisher who wants something like your manuscript. Most of us want to retain the integrity of the writing as well as avoid extra work! Best of luck, Sue Swift/Suz deMello

Darlene asks: I have aporx. 1/3 of my novel compleated. I have a detailed outline for the remainder of the book. My question is how to estimate the total word count for the novel from the outline. I need to be able to include "estimated word count" of the entire novel when pitching to the publisher.

Answered by Jenna McKnight
author of Witch in the House
on 1/27/2008

Darlene, If you're pitching to a publisher, you have to find out what word count they're looking for, determine if you can make that with the ms in question and, if so, then state that as your estimated word count. It doesn't do any good to state your ms will come in at 60K when they're looking for 90K. Refer to publisher guidelines to see what they're looking for; used to be you could get those on their websites, or at conferences. Hope that helps, Jenna McKnight

Answered by Ann Roth
author of The Pilot's Woman, March 2008
on 1/27/2008

Darlene- If you haven't sold a novel in the past, most every editor and agent will require that you finish this one before they look at it. There is a good reason for this. You would not believe the number of folks who never finish their work. Having been burned before, editors and agents think, why spend valuable time reading and considering a work when the writer may never finish it? One you sell a novel or two and get a track record, this changes. Then you can sell with a synopsis and three chapters, or sometimes just a synopsis. Best of luck!

Answered by Joy Nash
author of Deep Magic Jan 08
on 1/27/2008

Darlene, A good way to estimate the finished length of your book is to count the number of scenes you have written, then calculate the average number of pages per scene. Then look at the outline for the rest of the book and estimate how many scenes you have left to write. Take the total number of scenes for the entire book, and multiply by your average number of pages per scene, and you should have a good ballpark estimate of the length of your book. Just make sure it's in line with the length your target publisher is looking for. Remember, manuscripts can always be cut or lengthened. A book that is too short or too long for the publisher's purposes will often get rejected before it gets read. Joy Nash

Caela asks: Which point of view is normally more entertaining for readers, first or third person?

Answered by JoAnn Ross
author of FREEFALL, a High Risk romantic suspense from Signet, coming 2/05
on 1/24/2008

Hi Caela! That's a tricky question, but I've always believed that what works best for the writer works best for the reader. Having said that, some genres -- mystery, Chick Lit, and Southern Fiction, for example -- seem to use more first person POV, but again, it's a writer's decision.

I'm currently working on book #101, and have always preferred writing in third person, because it allows me to show what different characters are thinking, but I enjoy reading both. Also, quite honestly, third person is probably easier to sell to a publisher, all things being equal. Unless, of course, it's a dynamite first person POV book that blows their socks off.

Did I mention it's mostly about what works best for the writer? ;)

Answered by Joy Nash
author of Deep Magic
on 1/25/2008

First- or third-person point of views can be equally entertaining for readers. More genre fiction is third person POV, while first person POV is more common in literary fiction. First person POV also dominates the chick lit genre. Some people think you can get deeper into a character's head with first person, but I think third person can be equally powerful. If you have trouble maintaining deep POV in third person, a good trick is to write a few scenes in first person, then go back and switch the scene to third person. I've heard some readers say that they hate reading first person POV. I've never heard anyone say that they hate reading third person POV! I think you should use whatever POV appeals to you most, and fits your story best. Do you use the POV of multiple characters in your book? It's tricky using first person for one character and third person for others, but it can be done. No hard and fast rules here! Joy Nash Deep Magic (1/08) Immortals: The Awakening (8/07) A USA Today Bestseller coming (10/08) Immortals: The Crossing

Emily asks: The book I am currently writing has a prophecy. I know how it's going to go, but I'm unsure how to introduce it. Should I have it come in a vision, or should the character hear it by mistake? I know I can write whatever I want, I'm just curious as to what seems to be the 'better' way to go.

Answered by Joanna Wayne
author of Point Blank Protector
on 1/23/2008

I think the answer to that depends on the rest of the book and the character in question. I would only use the vision if this is the type of story that lends itself well to that and it would not seem unbelievable to the reader. Also, consider the character. Is he/she the type who might have a vision because of their sixth sense, psychick ability or their level of spirituality? If not, have the character or overhear it, or better yet, have them discover the information in some believable fashion.

Swe Brinin asks: if writing in first person, is it possible to use dialogue, eg. I saw him walking towards me. "You are a liar!" He said gruffly. Is this possible or does it confuse the reader?

Answered by Charlotte Maclay
author of Make No Promises
on 1/21/2008

Swe, that wouldn't confuse the reader. Your first person character is 'hearing' the dialogue. But I think you can write the tag better. Someting like - "You're a liar!" His gruff accusation shot through her like an arrow right to her heart. That will communicate the emotion better than the reader just learning the speaker spoke gruffly. Hope that helps. Charlotte Maclay

Amanda asks: Hello, I know alot of writers research topics that they may not have any interest in prior to the story/book they are currently writing. I have a certain topic that I need to research for the current book I'm writing and I've tried to look up what I need to research and I'm just not finding the answers I'm looking for. This is important, as you can guess, because I want to make the book correct. It's a topic of profession. My question is simply this: Is it okay to contact someone within the specific profession and ask them what I need to know? Thank you for any advice you could give me, you all have been a great help to me in the past.. - Amanda

Answered by JoAnn Ross
author of FREEFALL, a High Risk romantic suspense, on sale February 5th
on 1/21/2008

Hi Amanda. I'm one of those who firmly believes about writing what I want to know